Skip to main content

"Far From the Madding Crowd" by Thomas Hardy



                                                                           

             
                                                      

           "Far From the Madding Crowd" by Thomas Hardy is indeed an interesting and good story. If you are unfamiliar with the tale, it revolves around the character of Bathsheba Everdene who is a headstrong female with a desire to conquer the world. I must say that I liked her immediately. Although the book is about Bathsheba, we really get to know who she is and we watch her mature through her relationship with three men, each a stand out character in their own right. The book opens with an introduction to one Gabriel Oak, a beginning farmer who meets Bathsheba and instantly falls in love with her. He asks her to marry him and she flatly refuses, feeling as if he is beneath her. Not too much time passes before Bathsheba herself inherits a farm and she can sustain and support herself. The fortunes of Oak and Everdene are reversed but their paths still must cross.

                Miss Bathsheba Everdene ranks as one of Hardy's most conflicted and passionate female characters, and with the recent movie release of "Far From the Madding Crowd," now is a perfect time to revisit the book that inspired the film. Though Bathsheba is the main protagonist, one cannot ignore the significant role the rustic backdrop plays, which is really where Hardy's storytelling gifts reside. Hardy painted his settings with a poetry nearly unsurpassed, and the reader is pulled into each evocative scene, where Hardy's characters become much greater because of the tangibility and simplicity of the world in which their often-mundane lives are set.

               “Far From the Madding Crowd” passes a kind of reverse Bechdel test: Nearly every time two or more men converse, they are talking about a woman. When they talk to her, she often responds like one of the women in Mallory Ortberg’s hilariously captioned online surveys of Western art history, who generally have better things to do than listen to men. When Gabriel Oak, a farmer played with understated but unmistakable virility by Matthias Schoenaerts, proposes to Bathsheba shortly after they have exchanged glances over a rustic fence, she brusquely refuses.

                The history of the book is quite interesting if you care to peek into it a bit. I've never read anything by Thomas Hardy before but am made to understand that Far from the Madding Crowd is his fourth novel and most successful. It was originally published anonymously in a monthly serial magazine. (I can't fathom how original readers must have felt waiting for the conclusion of the novel as it slowly unfolded.) Although it was published over some period of time, it was well received. Many readers attributed the book to George Elliot but Hardy eventually stood up and took the credit. He revised the story and cleaned it up some for the 1895 edition of the book and then revised further for the 1901 version. I can't quite tell if the story we are able to read now was fully put together by Hardy or if he had some help with editors over the past century. At any rate, Hardy is the author.

                The writing was easy to read and when I went into the book, I expected it to be quite hard to read, due to my little knowledge of classics. However, it reads like today’s English with more detail added. So if you’re thinking of reading this book before you watch the film, or just reading this book, then do! I didn’t have any trouble so I’m sure you won’t. I really loved how Thomas Hardy really goes into detail about the setting of the book, because as a reader it means that you can create a visual image and it definitely improves the reading experience.



Comments

Popular posts from this blog

"The Purpose" by T.P.Kailasam

                Purpose, by T.P. Kailasam, is a short play dramatizing events that occurred in the Mahabharata involving Drona, Arjuna, and Eklavya. Drona is a skilled teacher, renown throughout the land for his wisdom and skill. Arjuna is a prince of a great kingdom. Eklavya is a tribal boy from a relatively far-away area. We study about Indian writing in English to Indian writer like  T.P.Kailasam . He was written at different and post colonial thinks in portrayed Ekalavya character. The Purpose by T. P. Kailasam is a drama in two acts. The story is based on Adiparva from ‘The Mahabharata”.  As we see that in the story how Kailasam given margin and criticize to Arjun and Dhrona Characters.  The story moves around Ekalavya and Arjun and their purpose behind learning archery. Both want to learn archery from the great Dronacharya.  But we see post colonial thinks in Ekalavya characters are center and periphery to Ajuna’s character. When the story goes that ancient time in

"The Fakeer of Jungheera" by Henry Louis Vivian Derozio

                                                                      The Fakeer of Jungheera is a long poem by Henry Louis Vivian Derozio. He was poet, novelist and writer. Most of the work in found to Indian religious, culture, rule and regulation, rigidity, culture etc. His writing in see to voice of against to society. Something should be real and has society represented of cruel way. In this long poem,  “The Fakeer of Jungheera” in protagonist of the Fakeer poem is a robber Fakeer or a mendicant,  who belongs to some unidentified Muslim sect, while the heroine  the widow Nuleeni,  comes from an upper cast Bengali Hindu family. The Fakeer of Jungheera' Deroiz mixed the tantric, Hindu, Mythological, Islamic and Cristian tradition. He got the idea about writing the poem of spiritual love from Baital Pachisi. As the story goes, if King Vikram remains stead fast  in his love for his queen he can resurrect her and once more both can find happiness together. The dauntl

A Baby Running Barefoot

                                          "A Baby Running Barefoot"                                                                                             D. H. Lawrence                                         In the poem "A baby running barefoot" by D.H. Lawrence uses imagery to describe how the baby is running around beautifully and barefooted.                                     The poem is spoken in the voice of a first person narrator who is watching a female baby run across the grass. The narrator uses similes and metaphors that describe the baby's feet by comparing them to aspects of the natural world such as butterflies, flowers, and water.                       In the first line the poet talks about the "Barefeet" of baby who runs across the grass. He then tells about her little white feet, nod like the flower, nod in the wind he beautifully had described. How a baby child runs across the grass out of innocence