Skip to main content

"The Hairy Ape" by Eugene O'Neill





               Eugene O'Neill's The Hairy Ape was first produced on March 9, 1922, by the Provincetown Players, a theatrical group that he co-founded. The Hairy Ape represented something of a departure for him, being an exploration into a more expressionistic style than his previous plays. Through “The Hairy Ape” , he shows us that our society should work together like a community to avoid an “every-man-for-themselves” mentality.

               When Mildred, a rich girl, calls Yank a “filthy beast” (347), she is rejecting him because of fear and hate toward the working class. She cannot relate to him in any way because of their origins. Because of this, Yank is discouraged for being all that he can be: a working class member of society. Without prestige or education, Mildred cannot accept the man before her because she thinks less of him; this mentality keeps our society from working together as a community.

               Vowing class revenge, Yank finds himself rejected wherever he turns: by the Fifth Avenue socialites he insults and by the unionised Industrial Workers of the World for whom he proves too explosive. Only in the Zoo, where he confronts a caged gorilla, does Yank meet a kindred spirit, but that too proves an illusion.

               This piece of theatre sends a very powerful message that is linked heavily to O’Neill’s burning, socialist values. He used dialects that clearly represent the different class structures of the time. When Mildred and her aunt are speaking within the second scene, they insult each other and bicker almost the entire scene. Is O’Neill’s point that the upper-class has nothing better to do than to fight and argue? The juxtaposition between scenes one and two is a clear representation of what each class does when they are not working. The rich complain and argue because they have it all and the working class chants, “Drink, don’t think!”, and sings songs until the day is over. O’Neill is showing his audience that the upper class that doesn’t have to work does not lead as significant a life as the working class do. When one works hard, one enjoys the simpler pleasures of life more than those who don’t.


               Within O’Neill’s “The Hairy Ape” , society is shown as a cruel world where the upper-class mentality believes in fending for themselves while the working class is more inclined to share his wealth and lead a more significant life. This life may not bridge classes, but within its class, a person with purpose can lead many to live better lives.
 


Comments

Popular posts from this blog

"The Purpose" by T.P.Kailasam

                Purpose, by T.P. Kailasam, is a short play dramatizing events that occurred in the Mahabharata involving Drona, Arjuna, and Eklavya. Drona is a skilled teacher, renown throughout the land for his wisdom and skill. Arjuna is a prince of a great kingdom. Eklavya is a tribal boy from a relatively far-away area. We study about Indian writing in English to Indian writer like  T.P.Kailasam . He was written at different and post colonial thinks in portrayed Ekalavya character. The Purpose by T. P. Kailasam is a drama in two acts. The story is based on Adiparva from ‘The Mahabharata”.  As we see that in the story how Kailasam given margin and criticize to Arjun and Dhrona Characters.  The story moves around Ekalavya and Arjun and their purpose behind learning archery. Both want to learn archery from the great Dronacharya.  But we see post colonial thinks in Ekalavya characters are center and periphery to Ajuna’s character. When the story goes that ancient time in

"The Fakeer of Jungheera" by Henry Louis Vivian Derozio

                                                                      The Fakeer of Jungheera is a long poem by Henry Louis Vivian Derozio. He was poet, novelist and writer. Most of the work in found to Indian religious, culture, rule and regulation, rigidity, culture etc. His writing in see to voice of against to society. Something should be real and has society represented of cruel way. In this long poem,  “The Fakeer of Jungheera” in protagonist of the Fakeer poem is a robber Fakeer or a mendicant,  who belongs to some unidentified Muslim sect, while the heroine  the widow Nuleeni,  comes from an upper cast Bengali Hindu family. The Fakeer of Jungheera' Deroiz mixed the tantric, Hindu, Mythological, Islamic and Cristian tradition. He got the idea about writing the poem of spiritual love from Baital Pachisi. As the story goes, if King Vikram remains stead fast  in his love for his queen he can resurrect her and once more both can find happiness together. The dauntl

A Baby Running Barefoot

                                          "A Baby Running Barefoot"                                                                                             D. H. Lawrence                                         In the poem "A baby running barefoot" by D.H. Lawrence uses imagery to describe how the baby is running around beautifully and barefooted.                                     The poem is spoken in the voice of a first person narrator who is watching a female baby run across the grass. The narrator uses similes and metaphors that describe the baby's feet by comparing them to aspects of the natural world such as butterflies, flowers, and water.                       In the first line the poet talks about the "Barefeet" of baby who runs across the grass. He then tells about her little white feet, nod like the flower, nod in the wind he beautifully had described. How a baby child runs across the grass out of innocence